training

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5th International Workshop of Sound and Audiovisual Archives

Date: 
16 Nov 2011 to 18 Nov 2011
Location: 
Mexico City, Mexico

ARCHIVES AT RISK TO THE HERITAGE PRESERVATION OF DIGITAL SOUND AND AUDIOVISUAL HERITAGE

Organized in collaboration with: The International Association of Sound and Audiovisual Archives (IASA), the International Archives de Television (FIAT), UNESCO. Designed for sound archivists, archivists, librarians, responsible for record and film libraries, researchers, teachers and musicians interested in submitting proposals for papers on the following topics:

Long-term Audiovisual Preservation: Strategy, Planning & Tools

Date: 
12 Sep 2011 to 16 Sep 2011
Location: 
Bry-sur-Marne, France

The audiovisual (AV) record of the 20th century is at risk, with digitisation being a solution, but this created a new problem: the preservation of digital AV content. Managers and technical staff of the AV industry need to be knowledgeable of, and understand how to use, the latest digital preservation technologies, in order to procure the safety of these documents of cultural heritage.

Workshop on AV Collections for Non-Specialist Librarians

Date: 
16 Aug 2011
Location: 
San Juan, Puerto Rico

This workshop will provide a basic introduction to all aspects of audiovisual collections management and preservation, in response to a felt need to equip the “forgotten people” of audiovisual archiving who are charged with caring for collections about which they have limited professional expertise. The session is intended to open the gateway to networks of contacts and sources of knowledge which the individual can pursue after the conference at their own pace.

Audience

Preservation of Digital Audiovisual Works

Date: 
22 Jun 2011 to 25 Jun 2011
Location: 
Crete

No matter if you have just started the digitization of your audiovisual collection or you have almost finished it or your collection is already born-digital. Beware that your precious digital data, zeroes and ones, are even in a bigger danger than the original analogue material they have originated from. The preservation process is never finished; it just bears a new adjective: digital preservation.

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