IASA journal Nos. 6-10

IASA Journal No 6, 1995

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• The Future of the Present Past Audiovisual Tradition and Cultural Heritage
  Joachim-Felix Leonhard, Frankfurt
• The land is my land: the archive tells me so
  Grace Koch, Canberra
• US Copyright of News and Sport
  Steffen Johanssen, Oslo
• Long term strategies for electronic documents ­report from a Swedish study
  Mats G. Lindquist, Stockholm
• Legal issues in audiovisual archives
  Helen Harrison, UK
• The Recruitment and Training of Radio Archivists
  Sally Hine, London
• Training of Media Archivists in Germany
  Hans Peter Jäger and Anke Leenings
• Training of a Radio Archivist
  Per Hoist, Copenhagen
• Training for Technical Radio Sound Archivists
  Albrecht Häfner, Baden-Baden
• A cataloguer meets a discographer, each one assuming the other to be dealing only in surfaces
  Chris Clark, London
• Discological Research in Sound Archives: requirements and possibilities
  Jerome F Weber
• Handling of Multimedia in the Archives of I.R.T.E.M.
  Irma Perotti, Rome
• Legal Questions in Cataloguing
  Helga Thiel, Vienna
• FIAT Documentation Commission Sessions, Washington, 1995
  Mary Miliano, Canberra
• The ASEAN Connection: Reflections on the ASEAN Seminar on Film and Video Management
  Ray Edmondson, Canberra
• Emergency Preparedness and Disaster Recovery of Audio, Film and Video Materials
  Helen P Harrison

IASA Journal No 7, 1996

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• Stereo in the 1950s and 1960s: the commercialization of a new medium of sound
  Michael Gray, Voice of America
• AV Archives and Deposit Agreements
  Catherine F Pinion
• Technical Appraisal of Tape Collections
  Steven Smolian
• Preservation of Audio and Video Materials in Tropical Countries
  Dietrich Schüller, Vienna
• Survey of Endangered Audio Carriers
  George Boston
• The Value of Integrated Access to Print and AV Collections
  William Storm

IASA Journal No 8, 1996

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• Digitisation and its consequences for radio sound archives
  Ulf Scharlau
• Mixed Media in Broadcasting Archives
  Michael Harms
• Digitisation and Documentation of (historical) audio-visual documents
  Anke Leenings
• AV archiving philosophy -the technical dimension
  Ray Edmondson
• Sound archives, the recording industry, and new technologies
  Lewis Flacks
• Licensing of commercial recordings for a new library service (JUKEBOX)
  Chris Clark
• A sound archivist looks at ISRC
  Pekka Gronow
• A response from IFPI to “A sound archivist looks at ISRC"
  Philippe Person
• IASA Cataloguing Rules ... : project goal and progress report
  Mary Miliano
• Discographies of Italian opera composers: sound recordings and musical texts
  Carlo Marinelli
• The IASA Board Charts (James McCarthy and Chris Clark)

IASA Journal No 9, 1997

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• SEAPAAVA 2 In Jakarta
  Ray Edmondson
• HARMONICA: Concerted Action on Music Information in libraries
  Albrecht Häfner
• Project: Digital Archives for Historical Sound Document. On-line Databases for Information and Documents
  Joachim-Felix Leonhard
• Digital media in the BBC
  Sally Hine
• Digitisation and its consequences for Radio Sound Archives: Finnish Broadcasting Company (YLE)
  Lasse Vihonen
• The archives of Slovak Radio and digital technique
  Dr Fero Horvat
• Equalisation of BBC disc recordings
  Peter Copeland
• National Film and Sound Archive (Australia)
  Mary Miliano
• The IASA Board Charts (Albrecht Häfner, Magdalena Cseve)

IASA Journal No 10, 1997

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• Audiovisual archives on the way to multimedia -the dilemma between stagnation and commercialisation (German version)
• (English version) Michael Harms
• The non-profit Commission on Preservation and Access (CPA) and its Task Force on Archiving Digital Information
  Hans Rütimann
• The digital mass store in a radio sound archive: first steps into practice
  Albrecht Häfner
• Digitizing audiovisual archive materials by outsourcing: a first approach
  Klaus Heinz