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Task Force to establish Selection Criteria of Analogue and Digital Audio Contents for Transfer to Data Formats for Preservation Purposes |
Contents:
Members of
the Task Force Group
4. Selection for
Digitisation in Broadcasting Sound Archives
4.1
Considerations
and constraints
4.2
Cultural, scientific, or academic significance of content
4.3
Primary Institutional Responsibilities
4.5 Metadata
4.6 Copyright
5. Selection for
Digitisation in National Sound Archives
5.2 Basic
criteria
5.2.1
Institutional assignments and responsibilities
5.2.2
Technical emergency
5.3.1
Cultural, scientific or academic significance of content
5.3.2
Rarity of the item
5.4
Benefits and costs linked with access
5.4.1
Benefits: current and potential users
5.4.2 Costs
5.5
Some
concluding considerations
6. Selection for
Digitisation in Research Archives
7. Metadata
8. Conclusion
9. Bibliography
1. Foreword
2. Introduction
3. Technical Selection
Criteria
3.1
Technical aspects relevant for prioritisation of transfer projects
3.2
Original versus replicated carriers
3.3
Degradation of Carriers and its Assessment
3.3.1
Cylinders
3.3.2
Coarse grooved discs (78rpm records)
3.3.3
Microgroove discs (“vinyls”, LPs)
3.3.4
Magnetic tape
3.3.5
Optical Carriers
3.4.
Obsolescence of Replay Equipment and Associated Software
3.4.1
Formats
already obsolete
3.4.2
Formats about to become obsolete
3.4.3
Other formats
3.5 Summary
© International Association of Sound and Audiovisual Archives (IASA), 2004
Translation not permitted without consent of IASA Executive Board