7.
Metadata
Metadata literally
means "data about data." Any catalogue, card or online, contains metadata.
But, today, the term is applied to the value-added information that
information- specialists create to arrange, describe, track and otherwise
enhance access to information objects.
Metadata is used to describe, in a standardized way, the minimum set of
information that is necessary to locate a document. In addition, metadata
provides a standard way to describe network-accessible material; metadata
enable the user to make more precise queries, metadata help the search
engines to present hits that are grouped by subject rather than a random
mix.
Or in other words, metadata are data that describe the attributes
of a resource; characterise its relationships; support its discovery,
management, and effective use; and exist in an electronic environment.
While this definition reflects the metadata ideal, in reality, most
metadata schemes rarely accomplish all of these functions equally well.
Therefore an authority control system must be understood and placed to
each metadata scheme chosen by the institution.
An authority control system is based on four factors: controlled
operating environment, trained provider, application of standards, and
reference to authoritative lists. Therefore, a trained cataloguer of
audiovisual material should be included in the selection and digitisation
workflow.
The most common metadata systems today are the MARC (Machine Readable
Cataloguing) bibliographic record and the DC (Dublin Core) Metadata
Element Set. Both require adjustments for audiovisual collections. In the
EBU Technical Review, Dublin Core Metadata Element Set is recommended.
Depending on its concerns an institution may choose one scheme over
another.
Metadata can be embedded within the document itself. Standard
Generalized Markup Language (SGML) is one of the most common markup
languages used for metadata, along with its related codes Hyper Text
Markup Languages (HTML), and the newer Extensible Markup Language (XML).
Metadata can also be stored separately from the source (e.g. external
catalogue) or separate but linked to the resource (e.g. linked with the
digital object in a repository structure). Each strategy has particular
benefits and disadvantages.
Information specialists along with archivists and cataloguers should
create the metadata for audiovisual archives. Reference should be made to
authoritative lists. Audiovisual archives should be part of the scholarly
information culture and not the popular information culture.
In
the metadata creation process, preservation metadata should be a key
component in the preservation and management of the digital collection and
must be designed to support future preservation strategies.
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